Every year EthnicTune’s editors gather together to discuss which is the best album to listen. This is the list which we think you have to listen…
Kassé Mady Diabaté
Kassé Mady Diabaté is one of the great vocalists of Mali, accompanied here by a top group of instrumentalists. There’s Makan ‘Badjé’ Tounkara on ngoni, Lansiné Kouyaté on balafonand Ballaké Sissoko on kora, plus Vincent Segal on cello, who is also responsible for the exquisite production. There are just eight tracks – many of them connected to hunting – and it really feels like you’re sitting right there among the musicians. All the instruments are heard on just one track, ‘Sori’, but the whole album is intimate, powerful and gorgeously recorded.
This new collective evocatively known as The Gloaming revisit traditional Irish music but with a fearless sense of experimentation. The haunting vocals of Iarla Ó Lionáird combine with the eﬀortless fiddle of Martin Hayes, eerie Hardanger fiddle of Caoimhín Ó Raghallaigh, and solid guitar of Dennis Cahill. Then there’s the piano playing of Thomas Bartlett that takes the sound onto a whole other level, out of the trad box and placing it firmly into a new, exciting realm. The ‘Opening Set’ is a wondrous 16-minute-plus tune that slowly builds in intensity – it goes down a storm at their fantastic live shows.
Driss El Maloumi
Moroccan oud player Driss El Maloumi stands out both for his instrumental mastery (he’s director of the conservatoire in Agadir) and for his innovative approach – for instance the 3MA project with kora player Ballaké Sissoko and valiha player Rajery in 2008. This trio album with two percussionists – his brother Said El Maloumi (on frame drum and Iranian tombak) and Lahoucine Baquir (on frame drum and darbouka) ranges from the bluesy ‘Imtidad’ and the filigree ‘Tawazoun’ to the playful ‘Intidar’. There’s lyricism, virtuosity and imagination – plus a couple of songs too.
It’s a rather special album that manages to stop you in your tracks and make you just sit and listen, especially when it’s played in the noisy environs that is Songlines HQ. But that’s what the opening track ‘An Ribhinn Donn’ of Scottish fiddler Duncan Chisholm’s latest release managed to do. The final part of his Strathglass Trilogy, it certainly lives up to the two previous offerings (Farrar & Canaich). Chisholm’s violin is intensely deep and rich, evoking misty glens and the rolling Highlands. He’s probably best known for being in Julie Fowlis’ band and Wolfstone, but on evidence of this, Chisholm will go far as a solo player.
Cinéma el mundo
Incredible to think this collective of musicians, based in the south-west of France, have been going for 30 years and yet their latest release – their tenth – sounds as fresh and intriguing as ever. Every Lo’Jo album offers up an enticing assortment of musical influences and styles and this is no exception. It starts off with the gruff spoken words of Robert Wyatt and continues with the familiar vocals of the El Mourid sisters and the ever-present, deeply enigmatic poetry and singing of Denis Péan. This release will delight die-hard fans and newcomers alike.